I thought the older I get, the wiser I'd get. It just doesn't seem to change for me, and it's honestly made me feel like I'm completely in limbo.
But as I've grown, I've come to realize that with every level that I achieve, every level gets harder, just like the game of limbo. I feel like I grew up thinking that once I achieved one level, the next level would be easier to achieve. "The title came from where I'm at in my life," he said in an interview with High Snobiety. The album features production from Nik D, OZ, Maneesh, Vinylz, and Boi-1da. The sole ‘skit’ on the album, Kobe, is a monologue reflecting on the death of Kobe Bryant and the effect that his passing had on Jak’s own growth and maturity.
#Amine limbo logo series
Limbo features a tribute to Kobe Bryant and two guest appearances by Charlie Wilson. On the topical side, Limbo reinforces its explored concepts through a series of interview snippets centered around actor and comedian Jak Knight. The T-Minus produced track is the album's second single behind "Riri," to which he released a video for last month. View the tracklist and stream the project below.Įarlier this week, Aminè dropped the video for "Compensating," featuring Young Thug. First hinted at by Aminé on Twitter on November 23, 2020, the deluxe version of Aminé’s sophomore album Limbo was officially announced on December 1, 2020. The Portland-born MC dropped Limbo, featuring guest appearances from Summer Walker, Charlie Wilson, Young Thug, and more. High-quality, pre-shrunk heavy or lightweight fleece. The project is the first release from Aminè since the 2018 EP OnePointFive.įriday's new wave of releases has brought a new Aminè album. Shop Limbo Amine Hoodies and Sweatshirts designed and sold by artists for men, women, and everyone. Sign up for the 10 to Hear newsletter here. It may be slight by design, but TWOPOINTFIVE understands that “low stakes” doesn’t have to mean running in place.Ĭatch up every Saturday with 10 of our best-reviewed albums of the week. There’s a sense of life and wonder in these songs, with Aminé and his collaborators lightly bouncing against their boundaries like pinballs. Nevertheless, TWOPOINTFIVE is an improvement on the original. The POINTFIVE series is ultimately a lark, a series of “creative freedom projects,” as Aminé recently told Billboard. Otherwise, he’s crooning about sipping Casamigos on a boat near George Clooney’s house over the synthetic marching horns of “NEO” and being with women crawling on the floor like NAVY Seals on “Mad Funny Freestyle.” There’s little pressure to focus on the weighty themes of Limbo, and it offers him room to climb through Lido and Pasqué’s elaborate playhouses without restraint. “Colors,” a glimpse into isolation and loneliness, is the exception to the project’s rule.
Lyrically, he’s focused on sexcapades (“YiPiYaY”), taking care of his people (“Dididumduhduh”), and securing his bag (“Mad Funny Freestyle”). The fast and loose nature of the POINTFIVE series-accented by interludes from comedian and returning host Rickey Thompson-lends itself more naturally to the sugary aesthetic on display in TWO than the drab and hollow atmosphere of ONE. So it isn’t exactly 100 gecs or Glaive, but Aminé still covers a considerable amount of ground in just under a half-hour. It honors the scene’s energy without fully conforming to its principles and will most likely serve as a gateway to edgier work for curious fans destined to spend hours laughing at Hyperpop Daily posts. For all the compression and chirpiness, TWOPOINTFIVE is too clean, its drum programming deep, smooth, and firmly rooted in contemporary rap. The difference is that much of what’s considered hyperpop is jagged and harsh, turning its syrupy sound palette into audible rock candy. Giddy synths and bells zoom and splash on songs like “Colors” and lead single “Charmander,” and there’s plenty of pitch-shifted vocals and offhand pop culture references. TWOPOINTFIVE sounds like a controlled sugar rush, an experiment as short, sweet, and stretchy as a fun-size piece of Laffy Taffy.Ĭritics and fans have compared TWOPOINTFIVE to hyperpop, and the project does contain examples of the burgeoning microgenre. The beats, primarily handled by producers Lido and longtime collaborator Pasqué, fold elements of pop and dance into Aminé’s bright raps that jolt and jive on the border of chaos. If Aminé’s 2017 debut album Good For You was sunny, TWOPOINTFIVE is saccharine enough to cause tooth decay. The sequel to 2018’s ONEPOINTFIVE-both of which are snarkily dubbed as “EP/LP/mixtape/album” to prod at the nebulous nature of retail rap projects in 2021-maintains the low stakes of the first while tinkering with the formula that led him to stardom in the late 2010s. Considering all this, it’s no surprise that Aminé would follow his most introspective album with a concentrated burst of color like TWOPOINTFIVE.
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